POKEMANS. WONDER WOMAN. COMICS.

THINGS I FIND INTERESTING AND WORTH SHARING.

Yeah.
Background Illustrations provided by: http://edison.rutgers.edu/
Reblogged from msjayjustice  79,268 notes
emilianadarling:

scoutfinches:

lazylunatic:

a-spoon-is-born:

trapbuddha:

adumbrant:

nirvanatrill:

Albert Einstein teaching a physics class at Lincoln university (HCBU in Pennsylvania) in 1946

Sure as hell never mention that about him.

HOMIE

His anti-racism views and work are often totally ignored by historians.

EVEN OUR HISTORIANS ARE RACIST

did… did you think historians weren’t racist?

Friend, if you did not realize that historians are racist then I have some bad news for you. 

emilianadarling:

scoutfinches:

lazylunatic:

a-spoon-is-born:

trapbuddha:

adumbrant:

nirvanatrill:

Albert Einstein teaching a physics class at Lincoln university (HCBU in Pennsylvania) in 1946

Sure as hell never mention that about him.

HOMIE

His anti-racism views and work are often totally ignored by historians.

EVEN OUR HISTORIANS ARE RACIST

did… did you think historians weren’t racist?

Friend, if you did not realize that historians are racist then I have some bad news for you. 

Reblogged from eschergirls  7,750 notes

eschergirls:

lesstitsnass:

It’s a two-fer! Courtesy of @dcwomenkickingass, and specifically this post, I had to do an edit of these, while my storyboards wait. 

I’m not going to go into long explanations here, I hope the drawings do speak for themselves. In the first case, it’s a Land being Land, although I do have to say that he did give a butt to Silk, as opposed to his usual ablation of hips and gluteus maximi. However, he unfortunately did it wrong. 

Artistic anatomy is all about drawing structure, from the inside out. Your muscles by themselves can’t look right if they aren’t placed on top of a properly proportioned skeleton.  Boobs won’t look right if they aren’t drawn as following the curve of the ribcage, its center line, or the movement of the arms which either pull or push on the pectorals on which the breasts hang. The arms back mean the shoulders are lowered, and the angle of the hands will be different since there’s a 3/4 turn on the torso. It shows that Land is drawing by guessed shapes, copied contours and practiced repeated motions. There’s no real structure underneath his shapes.

And if we look at the legs, I can only picture Kitty Pride phasing out of a wall: the legs look like they got mangled up to look like stumps. But even structure-wise, there is no thought put into whether the pose actually works, which is why it looks so clumsy. The legs should be reversed due to the line of action that’s in the torso but not followed through into the pelvis and legs. And I’ve been using the coil technique a lot in order to make my volumes work - it should be obvious by the roughs above - which help me figure out things like foreshortening. 

Silk too was a problem of lack of structure, proportions all over the place, and lack of weight and purpose, but it felt moreso than Spiderwoman. I used the same pose Land did but worked out the skeleton first, using rotation arcs in order to properly proportion the length of the various limbs. I don’t know these characters and I might not have used these poses, but Silk here definitely looks like she’s dancing.

The variant cover by Manara looks like a pose right out of porn, pelvis up and cheeks spread, costume looking like body paint, and it makes me very uncomfortable. She doesn’t look like a superhero about to strike, she looks like she’s about to get… well, it’s a porn pose. This is sexualisation. It also reminds me of the Dog Bone sexy shape. 

So I turned the pose sideways to figure it out, and to see what would work better. The sideways pose as is, as you can see, is angled to do quite the opposite of ass-kicking. Were she to try to leap from that pose, she’d fall flat on her face. The second pose is the “coiled like a spring”, but in the camera angle of the cover, it’s an ugly, ugly pose. So I tried to do something in-between, and just by making the pelvis horizontal and lifting the torso off the ground, I’ve managed to move the center of gravity so her weight is on her feet instead of her knees, she can use her arms to maneuver in most directions, and you still get an interesting body shape to look at. I think this works better, and much more ready to spring into motion.

Wanted also to say thanks for all the reblogs, likes and recent follows! I appreciate each one of them, and it’s because you’re still sharing and commenting that I came back to do this. However I’m still really busy! I won’t be posting a lot, but I do plan on posting more than I have. Back to storyboards for me! 

Great breakdown of both Spider-Woman covers by Kanthara from Less Tits n’ Ass, More Kickin’ Ass (which I strongly recommend as a follow for people who like redlines/redraws/fixes). :D

Reblogged from rosalarian  86,538 notes

rosalarian:

coelasquid:

pittrainbow:

Uganda’s Anti-Homosexuality Act: ‘Null and Void’

In a victory activists were unsure they’d get, Uganda’s Constitutional Court overturned the country’s draconian Anti-Homosexuality Act today, declaring the anti-LGBT law “null and void” because of a parliamentary technicality in how it was passed.  

The court determined that when members of Parliament passed the law in December 2013, Speaker Rebecca Kadaga had not established quorum — a required minimum number of members present to vote — effectively invalidating the law. 

And now for some good news.

It’s still dangerous in Uganda for LGBT people, but at least they can’t go to jail for it. This is good.

Reblogged from armeleia  2,002 notes

audreybenjaminsen:

I created this short  narrative a couple months ago, but I finally feel ready to share it with you. Despite its length, making this was a laborious process and took me quite some time to put together.

(media: charcoal, graphite and digital)

This story is personal to me, but you can interpret it whatever way you please. 

 Bernadette the Brave

Bernadette gets lost and scared in a crowd when life is too much. She imagines that the swarms of people around are a forest of trees to cope.

As she walks through the imagined trees, she sees they all have unique faces like the people in the crowd.

Bernadette comes across one in particular with a doorknob. It beacons to her with a golden light. She opens the face and climbs inside.

There she finds a golden world. 

This world is wonderous, as if it was made just for Bernadette. It is a place of serenity, safety curiosity, and beauty. 

However, back in the forest of faces, danger awaits. Another has found his way into Bernadette’s mind. The danger wields an axe and finds the tree with the golden world. 

As he takes his axe to Bernadette’s tree, everything within her world splits, including her body. But from her body comes the source of the golden light. Bernadette holds the power to fight back.

This is your world. You may be small, and It’s okay to be afraid.  But know that when fear is crippling and invades your heart, you hold the ultimate power to fight back and conquer. 

Audrey Benjaminsen 2014